Amorphous Anemones
What if these structures were motion sensitive and opened or closed by your prescence? I propose to animate these cellular inspired zip-tie lattices utilizing Nitinol or Muscle Wire morphing and contoring using motion sensors. Additionally, I might integrate LED’s and video projection upon a scrim covered curtain to illuminte the texture – glowing in intesnsity according to the motion of a passerby. The overall aim of the prototype is to create an immersive amorphous environment reminiscent to the undulating movement of sea anemones. This project is inspired and based upon the following installation below:
Branching Morphogenesis explores fundamental processes in living systems and their potential application in architecture. The project investigates part-to-whole relationships revealed during the generation of branched structures formed in real-time by interacting lung endothelial cells placed within a 3D matrix environment. The installation materializes five slices in time that capture the force network exerted by interacting vascular cells upon their matrix environment.
This is my cheap attempt at a Monome knockoff (a truly elegant media controller) and a sketch of my PCOMP final. Still have not determined how far I want/need to extend the functionality of the device: Do I restrict the media controller to 2 discs, modeled after a dj setup, or offer some capacitor touch screen or “virtual” photocell buttons? Must consider the range of applications for the media controller with specific use cases (e.g. dj, vj, Max/MSP, other PCOMP projects). I’m interested in having the Disconome (working title) communicate using firmware called SensorBox, which gets the input from all the pins on the Arduino and sends it over serial to a Max patch. From there, have the Max patch port over to Ableton Live that shows up as a MIDI channel dramatically controlling pitch of Beethoven’s 9th symphony.
My aim is to create prototype of a larger installation piece that deals with themes recovery, redemption and resurrection. Design a tree that arcs through various stages of life, death and rebirth. The first stage shows a tree with paper leaves inscribes with sections from my diary. In the second stage, the leaves shake, ignite and fall as burning embers, smoldering. The third stage has a mist decend onto the tree from above. The mist acts to extinguish the leaves as well as a medium. The fourth stage has two revolving projectors casting an image of the tree in full bloom where the messages inscribed on the burnt leaves are finally revealed.
Pick a piece of interactive technology in public, used by multiple people. Write down your assumptions as to how it’s used, and describe the context in which it’s being used. Watch people use it, preferably without them knowing they’re being observed. Take notes on how they use it, what they do differently, what appear to be the difficulties, what appear to be the easiest parts. Record what takes the longest, what takes the least amount of time, and how long the whole transaction takes. Consider how the readings from Norman and Crawford reflect on what you see.
Everybody loves water fountains. They’re the one example of public art that works but in some ways they’re lacking. This photo was taken outside of Lincoln Center and although it isn’t “interactive” the modern sense of the word, it demonstrates the underlying need for more interactive water falls, fountains or installations. ”Hmm”, you might be asking yourself, “I don’t really know of any interactive water falls” and I guess that’s my point. How immersive cool would it be to play with an installation that’s reactive to your presence rather than just running off a predetermined timer controlling lighting and fountain size? Imagine you’re on a big date, you’ve both run out of things to say but you’re feeling the sparks. If only you had some really wondrous water fountain to play with to break the ackward silence, wouldn’t that be dreamy? Ok, by now I’ve veered way off onto a tangent of my personal fantasies but hey that’s what we’re here for right?
